Li

主演：保罗·路德,麦肯娜·格瑞丝,菲恩·伍法德,库梅尔·南贾尼,凯莉·库恩,比尔·默瑞,埃涅·赫德森,丹·艾克罗伊德,帕顿·奥斯瓦尔特,威廉·阿瑟东,塞莱斯特·奥康纳, 洛根金 ,詹姆斯·艾克斯特,Damian Muziani,Natalie Cousteau,艾米莉·吴,艾米丽·阿琳·林德,Paul O'Kelly,Evelyn Anne Bulls,Kalisha A. Johns
简介：　　神秘怪物突袭，整个纽约城被冰封。新生代超能敢死队来到位于纽约市消防局的敢死队总部基地，在初代敢死队成员的帮助下重拾经典装备，拯救危在旦夕的城市。

主演：凡妮莎·米尼洛,Alex Tarrant,诺亚·米尔斯,雅斯敏·阿尔-比施塔米,杰森·安顿,托莉·安德森,LL Cool J,Kian Talan,尼克·克里根,Anna Khaja,维克多·埃菲尔,埃利斯·罗伯特森,凯文·山田,Matt Gottlieb,Todd Sells,Lauren Ballesteros,Daniel Blake,Jax Buresh
简介：　　

主演：哈丽雅特·赫比希-马顿,达米安·哈顿,费德贾·范·胡艾特,Julia-Maria Köhler,Andrea Guo
简介：　　露比无意中目睹了麦克斯顿霍尔私立高中一个爆炸性的秘密，傲慢的百万富翁继承人詹姆斯博福被迫跟这个聪明敏锐的优秀学生杠上了，试图封住她的嘴，但他们的过招让他懊恼不已。他们火药味十足的针锋相对，意外地点燃了火花…

主演：威尔·福特,罗宾·卡拉,Seán Óg Cairns,大卫·皮尔斯,Peter Bankolé,克丽·麦克莱恩,马鲁安·佐蒂,查尔斯·凯利,Fergus Mulligan,Clodagh Mooney Duggan,帕诺·马斯蒂,Zeff Lawless,Charlotte Carway,西沃恩·卡伦,大卫·威尔莫特,克里斯·瓦利,保罗·泰来克,诺玛·谢汗,Mary O'Dris
简介：　　《夏末失踪案》是一部黑色喜剧惊悚片，围绕一群形形色色的播客主播展开，他们要调查三个陌生人在田园般的爱尔兰海滨小镇神秘失踪的真相。但开始寻找线索之后，他们发现了一个奇怪超凡的故事，程度超乎想象。当我们的英雄们试图从虚构中辨别事实（关于案件、他们的同事，最痛苦的是，关于他们自己）时，该剧挑战了我们对真相的认知，揭露了我们为了证明自己的信念或恐惧会如何催眠自己。

主演：内详
简介：　　在这部近距离的自然纪录片中，摄制组跟随两只豹崽，记录下它们从幼崽到成年的奇妙旅程。

主演：Michela Luci,莎拉·乔德利,Amish Patel,尼古拉·科雷亚·达姆得,比尔·考布斯,Maria Vacratsis,杰恩·伊斯特伍德,Trek Buccino,余咏瑶,Nadine Roden,Ali Hassan,Amanda Barker,米莉·戴维斯
简介：　　Dana is a 9-year old girl who loves dinosaurs. Her life changes forever when she's given a Dino Field Guide, which not only teaches her new things about dinosaurs, but gives her the power to imagine dinosaurs into real life.

主演：肖妮·史密斯,塔恩·曼宁,泰瑞斯·吉布森,布鲁斯·邓恩,James Gaudioso,德鲁·莫尔莱恩,蒙塔娜·吉利斯,Kresh Novakovic,萨尔·伦迪诺,Adam Shippey,丹尼尔·科斯格罗夫,Jennifer King,约翰·D·希克曼,Anthony Gaudioso,Caroline DeGrave,Anthony Aquilino,Christine Altan,Byron
简介：　　Moira Cole家人被残忍地杀害后努力地想要重建破碎的生活，但一切并不会那么容易，因为杀害她家人的正是与她拥有同样血脉的表弟。

主演：İbrahim Büyükak，Oğuzhan Koç，Yeliz Kuvancı
简介：  埃尔金是灯塔的看守人，他负债累累。因此而伤害了他生命中最爱的两个人，他的哥哥科雷和前未婚妻梅芙。一天，埃尔金收到爷爷去世的消息后，他赶到养老院发现爷爷还活着。爷爷对他说，他需要的钱，他会给他，但有一个条件：埃尔金必须在一周内跟科雷和梅芙和解。

主演：Olivia Alaina May Katie
简介：  作为“失贞类喜剧“的狂热者，18岁的她不顾一切地努力想要在毕业前夕成为女人。身边伴随着众多性欲旺盛的青少年，她跟别人上床似乎是件易如反掌的事。不幸的是，说的比“她做的”容易得多了…

主演：珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.