忆梦记
主演：Arsseni Bultmann,劳拉·汤克,大卫·史崔梭德,波拉·盖格,Camille Moltzen,卡斯帕·冯·比洛,梅林·罗斯,阿克塞尔·米尔伯格,莎拉·葆埃特,Esther Bechtold,Anna Amalie Blomeyer,Giuseppe Bonvissuto,马提亚斯‧邦德舒,Leon Cliff,Romi Dörlitz,Luisa-Céline Gaffron,克劳德·
简介： Joachim是家中老三，常遭两位哥哥作弄，往往情绪失控，幸好父亲是精神病院的院长，对他照顾有加。这所院舍专门照料青少年病人，以康服而非囚禁作为目标，是当时德国最先进的有关设施。Joachim在这环境长大，让他有一个不一样的童年。他一家视病人如家人，使他体会到所谓「正常」与否只是一线之差。视频透视主角从小孩至成年的印记，描绘他经历初恋、父母离异和出国等，各种人生片段有喜有悲，但黑色幽默的风格贯彻始终，一众专业和业余演员，包括精神障碍人士的演出尤其出色。
简介： Joachim是家中老三，常遭两位哥哥作弄，往往情绪失控，幸好父亲是精神病院的院长，对他照顾有加。这所院舍专门照料青少年病人，以康服而非囚禁作为目标，是当时德国最先进的有关设施。Joachim在这环境长大，让他有一个不一样的童年。他一家视病人如家人，使他体会到所谓「正常」与否只是一线之差。视频透视主角从小孩至成年的印记，描绘他经历初恋、父母离异和出国等，各种人生片段有喜有悲，但黑色幽默的风格贯彻始终，一众专业和业余演员，包括精神障碍人士的演出尤其出色。
Arsseni Bultmann,..
科洛弗悖论
主演：古古·姆巴塔-劳,大卫·奥伊罗,丹尼尔·布鲁赫,约翰·奥提兹,克里斯·奥多德,阿卡塞尔·亨涅,章子怡,伊丽莎白·德比茨基,罗杰·戴维斯,唐纳尔·罗格,苏珊·克莱尔,肯·奥林,西蒙·佩吉,格雷戈·格伦伯格
简介： 未来，人们对资源的需求越来越大，可是地球上的资源已经不能再满足人类。于是地球上爆发了资源危机，并险些引发战争。唯一能阻止战争的只有空间站上的粒子加速器，如果实验成功，粒子加速器成功运转，那么它就能让人们用上源源不断的资源。可是在一次粒子加速器意外事件后，地球整个消失了，空间站上的宇航员开始试图弄清楚在他们身上发生了什么。但随着事情的一点点深入，真相慢慢浮现，更奇怪的事情也随之出现。
简介： 未来，人们对资源的需求越来越大，可是地球上的资源已经不能再满足人类。于是地球上爆发了资源危机，并险些引发战争。唯一能阻止战争的只有空间站上的粒子加速器，如果实验成功，粒子加速器成功运转，那么它就能让人们用上源源不断的资源。可是在一次粒子加速器意外事件后，地球整个消失了，空间站上的宇航员开始试图弄清楚在他们身上发生了什么。但随着事情的一点点深入，真相慢慢浮现，更奇怪的事情也随之出现。
古古·姆巴塔-劳,大卫·奥伊罗,丹..
偷心俏佳人
主演：詹妮弗·洛芙·休伊特,吉恩·哈克曼,西格妮·韦弗,雷·利奥塔,杰森·李
简介： 长久以来，安琪拉（西格妮·韦弗 Sigourney Weaver 饰）和佩吉（詹妮弗·洛芙·休伊特 Jennifer Love Hewitt 饰）都保持着天衣无缝的合作关系，不仅仅是作为母女，同时也作为工作伙伴。而她们的工作非常简单——结识黄金王老五，再通过小小的手段骗取巨额分手费。然而，常在河边走，哪有不湿鞋，春风得意的母女二人不知道的是，她们即将迎来情感和事业上的双重危机。 威廉（吉恩·哈克曼 Gene Hackman 饰）是安琪拉物色的最新猎物，与此同时，佩吉却不可救药的和酒吧老板杰克（杰森·李 Jason Lee 饰）坠入了爱河。安琪拉一边为不再像曾经那样听话的女儿所烦恼，一边绝望的发现，自己似乎也陷入了威廉的温柔乡里无法自拔。
简介： 长久以来，安琪拉（西格妮·韦弗 Sigourney Weaver 饰）和佩吉（詹妮弗·洛芙·休伊特 Jennifer Love Hewitt 饰）都保持着天衣无缝的合作关系，不仅仅是作为母女，同时也作为工作伙伴。而她们的工作非常简单——结识黄金王老五，再通过小小的手段骗取巨额分手费。然而，常在河边走，哪有不湿鞋，春风得意的母女二人不知道的是，她们即将迎来情感和事业上的双重危机。 威廉（吉恩·哈克曼 Gene Hackman 饰）是安琪拉物色的最新猎物，与此同时，佩吉却不可救药的和酒吧老板杰克（杰森·李 Jason Lee 饰）坠入了爱河。安琪拉一边为不再像曾经那样听话的女儿所烦恼，一边绝望的发现，自己似乎也陷入了威廉的温柔乡里无法自拔。
詹妮弗·洛芙·休伊特,吉恩·哈克曼..
谢谢，晚安：邦·乔维故事
主演：乔恩·邦·乔维,大卫·布赖恩,Tico Torres,Hugh McDonald,Phil X
简介： 一个乐团，改变一整个世代的音乐品味！ 来自新泽西州的美国摇滚传奇乐团——邦·乔维，全球卖出超过1亿2千万张唱片，在50个国家和地区举办超过2700场演唱会。 见证他们的崛起与低谷，聆听未曾公诸于世的狂人心声。
简介： 一个乐团，改变一整个世代的音乐品味！ 来自新泽西州的美国摇滚传奇乐团——邦·乔维，全球卖出超过1亿2千万张唱片，在50个国家和地区举办超过2700场演唱会。 见证他们的崛起与低谷，聆听未曾公诸于世的狂人心声。
乔恩·邦·乔维,大卫·布赖恩,Ti..
这座城
主演：米歇尔·道克瑞,Stefan Asante-Boateng,乔治·索纳,Ravi Multani,安迪·M·米利根,马诺伊·阿南德,Séainín Brennan,Eraina McKenzie,吉恩-帕斯卡尔·海涅曼德,Paul Ginns,Andy James,Mark de Freitas,Matt Backhouse,杰拉丁妮·詹姆斯,大卫·道森,乔丹·博尔格,尼古拉斯·平诺克,埃弗·奥斯
简介：该剧讲述了一个大家庭和四个年轻人被斯卡和双音音乐的世界所吸引的故事。斯卡和双音音乐于70年代末和80年代初在考文垂和伯明翰的基层爆发，将黑人、白人和亚洲青年团结在一起。它预计将于1981年在一个巨大的社会紧张和动荡的时刻开放。在这样的背景下，它讲述了一个故事……
简介：该剧讲述了一个大家庭和四个年轻人被斯卡和双音音乐的世界所吸引的故事。斯卡和双音音乐于70年代末和80年代初在考文垂和伯明翰的基层爆发，将黑人、白人和亚洲青年团结在一起。它预计将于1981年在一个巨大的社会紧张和动荡的时刻开放。在这样的背景下，它讲述了一个故事……
米歇尔·道克瑞,Stefan As..
锥镇物语
主演：威尔·福特,罗宾·卡拉,Seán Óg Cairns,大卫·皮尔斯,Peter Bankolé,克丽·麦克莱恩,马鲁安·佐蒂,查尔斯·凯利,Fergus Mulligan,Clodagh Mooney Duggan,帕诺·马斯蒂,Zeff Lawless,Charlotte Carway,西沃恩·卡伦,大卫·威尔莫特,克里斯·瓦利,保罗·泰来克,诺玛·谢汗,Mary O'Dris
简介： 《夏末失踪案》是一部黑色喜剧惊悚片，围绕一群形形色色的播客主播展开，他们要调查三个陌生人在田园般的爱尔兰海滨小镇神秘失踪的真相。但开始寻找线索之后，他们发现了一个奇怪超凡的故事，程度超乎想象。当我们的英雄们试图从虚构中辨别事实（关于案件、他们的同事，最痛苦的是，关于他们自己）时，该剧挑战了我们对真相的认知，揭露了我们为了证明自己的信念或恐惧会如何催眠自己。
简介： 《夏末失踪案》是一部黑色喜剧惊悚片，围绕一群形形色色的播客主播展开，他们要调查三个陌生人在田园般的爱尔兰海滨小镇神秘失踪的真相。但开始寻找线索之后，他们发现了一个奇怪超凡的故事，程度超乎想象。当我们的英雄们试图从虚构中辨别事实（关于案件、他们的同事，最痛苦的是，关于他们自己）时，该剧挑战了我们对真相的认知，揭露了我们为了证明自己的信念或恐惧会如何催眠自己。
威尔·福特,罗宾·卡拉,Seán ..
不死法医
主演：艾恩·格拉法德,阿兰娜·德拉·伽兹,乔·大卫·摩尔 ,贾德·赫希,麦肯泽·毛祖,芭芭拉·伊芙·哈里斯,约翰·诺贝尔
简介： 亨瑞（艾恩·格拉法德 Ioan Gruffudd 饰）是纽约城里最著名的法医，业内同行对于他的名声可谓是无人不知无人不晓。虽然人人都知道亨瑞在学术上的卓越成果，但并没有人知道，实际上，亨瑞已经活了200年之久了，一场意外永远的夺走了他获得死亡的权利，漫长的岁月也让亨瑞感到无比的疲惫，只求解脱。 亨瑞在太平间工作，整日里和死人打交道的他只想要在这些冰冷的尸体上研究出死亡的终极秘密。乔（阿兰娜·德拉·伽兹 Alana De La Garza 饰）是一位精明强干的纽约女警，同时也是亨瑞的搭档，乔的存在是亨瑞在这无聊的人世间唯一的指望和乐趣。
简介： 亨瑞（艾恩·格拉法德 Ioan Gruffudd 饰）是纽约城里最著名的法医，业内同行对于他的名声可谓是无人不知无人不晓。虽然人人都知道亨瑞在学术上的卓越成果，但并没有人知道，实际上，亨瑞已经活了200年之久了，一场意外永远的夺走了他获得死亡的权利，漫长的岁月也让亨瑞感到无比的疲惫，只求解脱。 亨瑞在太平间工作，整日里和死人打交道的他只想要在这些冰冷的尸体上研究出死亡的终极秘密。乔（阿兰娜·德拉·伽兹 Alana De La Garza 饰）是一位精明强干的纽约女警，同时也是亨瑞的搭档，乔的存在是亨瑞在这无聊的人世间唯一的指望和乐趣。
艾恩·格拉法德,阿兰娜·德拉·伽兹..
倒计时
主演：珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
珍妮·艾加特,布莱恩·马歇尔,Cl..
独角兽塞尔玛
主演：布里塔妮·霍花德,威尔·福特,乔恩·海德,达兰·诺里斯,大卫·米驰,贝琪·索达罗,Lynn Wang,帕姆·科茨,米歇尔·朱博利·冈萨雷斯,桑德瑞拉·艾弗里,赫克特·吉门雷兹,吉诺·席格斯,雪莉·可拉,Matthew Wolf,扎克·加利凡纳基斯,Noelle Holsinger,Ashley London,Birdie Hess,Carter Hurst,K.J. Howard
简介： 当一个罕见的粉红色和闪闪发光的命运时刻让小马塞尔玛成为独角兽的愿望成真时，她立刻成为了国际流行巨星，但付出了意想不到的代价。
简介： 当一个罕见的粉红色和闪闪发光的命运时刻让小马塞尔玛成为独角兽的愿望成真时，她立刻成为了国际流行巨星，但付出了意想不到的代价。
布里塔妮·霍花德,威尔·福特,乔恩..