珍妮·艾加特

主演：杰西卡·雷恩,米兰达·哈特,珍妮·艾加特,杰克·阿什顿,帕姆·费里斯,朱迪·帕瑞福特,琳达·巴塞特,夏洛特·里奇,克雷夫·珀瑞斯
简介：　　根据詹妮弗·沃斯回忆录改编的、英国广播公司（BBC）出品的剧集《呼叫助产士》讲述了上世纪五六十年代伦敦东区一群助产士的生活经历。这部大获成功的电视剧回归后将会有更多关于Nonnatus 修道院护士和修女们感人而扣人心弦的故事。第五季中，莫妮卡·琼修女在圣诞节期间失踪，这令修女和护士们心烦意乱。Shelagh在匆忙中组织了儿童唱诗班，及时赶上了BBC在教堂的节目播放。同时特里克西一直与酒精作斗争，并在健身课程中找到了新的目标。对牧师汤姆·赫里沃德和芭芭拉来说，友谊会发展成更多的东西吗?

主演：瓦妮莎·雷德格雷夫,珍妮·艾加特,劳拉·美恩,朱迪·帕瑞福特,史蒂芬·麦可甘,海伦·乔治,Victoria Yeates,琳达·巴塞特,安娜贝勒艾裴逊,珍妮弗·柯比,莱昂尼·埃利奥特,夏洛特·里奇,克雷夫·珀瑞斯
简介：　　第七季故事从1963年讲起，助产士们发现自己受到了前所未有的个人生活和专业上的考验。她们一起面对麻风病、中风和亨廷顿氏病等挑战，同时护士Crane发现她的权威受到意想不到的质疑，修女Monica Joan则被迫接受一场来自失败的考验，同时，西印度助产士Lucille Anderson的加入为这个团队带来了新的能量。　　根据詹妮弗•沃斯回忆录改编的、英国广播公司（BBC）出品的剧集《呼叫助产士》讲述了上世纪五六十年代伦敦东区一群助产士的生活经历。剧集拥有庞大而忠实的观众群体，第六季的最高收视率超过了1100万。

主演：海伦·乔治,米瑞安·玛格莱斯,费奈拉·伍尔加,珍妮·艾加特,劳拉·美恩,史蒂芬·麦可甘,琳达·巴塞特,朱迪·帕瑞福特,麦克斯·麦克米兰,维多利亚·耶茨,崔佛·库珀,Daniel Laurie,埃拉·布鲁科莱里,Georgie Glen,Nicky Goldie,Jasmine Jones,莱昂尼·埃利奥特,珍妮弗·柯比,Annabelle Apison,克雷夫·珀瑞斯,安娜贝勒艾裴逊
简介：　　根据畅销书《詹妮弗·沃斯回忆录》改编的、英国广播公司（BBC）出品的剧集《呼叫助产士》讲述了上世纪五六十年代伦敦东区一群助产士的生活经历。第八季继续探讨在助产士的职场上中复杂的医疗状况和故事。1964年，时代在发生着明显的变化:从避孕药的发明到1967年堕胎法案留下的阴影，再到新的癌症筛查项目的引入，令修女和护士们继续面临各种挑战性的问题，包括跨种族收养、腭裂、镰状细胞和婴儿夭折，而对于团队中的一位来说，浪漫故事也即将上演。

主演：珍妮·艾加特,琳达·巴塞特,朱迪·帕瑞福特,海伦·乔治,劳拉·美恩,莱昂尼·埃利奥特,珍妮弗·柯比,史蒂芬·麦可甘,克雷夫·珀瑞斯,埃拉·布鲁科莱里,费奈拉·伍尔加,米瑞安·玛格莱斯,麦克斯·麦克米兰,安娜贝勒艾裴逊,乔治·格伦,崔佛·库珀,Daniel Laurie
简介：　　由艾美奖和BAFTA奖提名者海蒂·托马斯创作、根据畅销书《詹妮弗·沃斯回忆录》改编、英国广播公司（BBC）出品的剧集《呼叫助产士》，由Neal Street Productions打造，讲述了20世纪50年代伦敦东区助产士们的工作、生活与情感。　　在第九季中，Nonnatus 修道院的医护人员和助产士正在进入一个大胆创新的时代。人口变化，规则改变、旧疾病卷土重来，都令他们面临着意想不到的挑战。除了新生儿降临带来的喜悦，他们还必须应对包括白喉、药物滥用、癌症、肺结核和瘘管病在内的病例所带来的困扰和威胁，同时，每个人也在经历着充满爱、失去和怀疑的生活。

主演：珍妮·艾加特,汤姆·康特奈,谢里丹·史密斯,Gabriel Freilich,碧悠·加德斯顿,Neil Hurst,Austin Haynes,Dumo Mkweli,Joanne James,Elliot Benn,Kenneth Aikens,Oscar Wallwork
简介：　　Follow a group of children who are evacuated to a Yorkshire village during the Second World War, where they encounter a young soldier who, like them, is far away from home.

主演：珍妮·艾加特,琳达·巴塞特,杰克·阿什顿,朱迪·帕瑞福特,劳拉·美恩,夏洛特·里奇,海伦·乔治,史蒂芬·麦可甘,克雷夫·珀瑞斯,埃默拉尔德·芬内尔
简介：　　在第六季中，修女和护士们一起欢笑，一起哭泣，前所未有地互相支持。1962年，时代在更迭，修女们接到了来自南非东开普省教会医院的紧急求救电话。不苟言笑的修女乌苏拉被任命为Nonnatus 修道院的新院长，而修女朱利安降为普通职员。炎炎烈日下，Nonnatus修道院面临着最艰难的挑战。　　根据詹妮弗·沃斯回忆录改编的、英国广播公司（BBC）出品的剧集《呼叫助产士》讲述了上世纪五六十年代伦敦东区一群助产士的生活经历。剧集拥有庞大而忠实的观众群体，第五季的最高收视率超过了1000万。

主演：克里斯·埃文斯,斯嘉丽·约翰逊,塞巴斯蒂安·斯坦,安东尼·麦凯,海莉·阿特维尔,艾米丽·万凯普,罗伯特·雷德福,塞缪尔·杰克逊,寇碧·史莫德斯,卡兰·马尔韦,弗兰克·格里罗,斯坦·李,托比·琼斯,珍妮·艾加特,乔治·圣皮埃尔,盖瑞·山德林,阿兰·戴尔,黄经汉,阿德托库姆布斯·麦克马克,多米尼克·瑞恩斯
简介：　　渐渐习惯了现代生活的美国队长史蒂夫·罗杰斯（克里斯·埃文斯 Chris Evans 饰），在一次行动后隐隐嗅到神盾局内部所弥漫出来的凶险气味。而当得知神盾局正秘密进行的“洞察计划”后，他更为此感到愤怒。某天，神盾局指挥官尼克-法瑞（塞缪尔·杰克逊 Samuel L. Jackson 饰）遭到一群武装分子袭击，他拼尽全力将一支U盘交到美国队长手中，这里面藏着该局二战以来最重要且最可怕的秘密。在此之后，美国队长因涉嫌杀害尼克而遭到前局长亚历山大·皮尔斯（罗伯特·雷德福/Robert Redford 饰）的通缉和追杀，逃亡中他得到黑寡妇（斯嘉丽·约翰逊 Scarlett Johansson 饰）和退伍老兵“猎鹰”（安东尼·麦凯 Anthony Mackie 饰）的帮助。　　他们必须争分夺秒解开神盾局的秘密，阻止“洞察计划”的施行……

主演：珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.